Yesterday, the radio opera was “Arabella” by Richard Strauss, who is much better known for “Salome,” “Elektra,” and “Der Rosenkavalier.” Arabella is about the two daughters of a Count and Countess who are deep in debt and figure they can just barely manage to come up with one dowry, but two are an impossibility, so the second daughter Zdenka, has to dress as and pretend to be a boy (“Zdenko”). I can just hear MAGA screaming – or at least I would if anyone in MAGA were able to appreciate opera. But I digress. It’s essentially a comic farce, with a happy ending for both daughters and their parents. It’s also the last opera of the summer season – next Saturday the Met will be back, and hopefully I can just listen on the radio again. I say “hopefully” because the toad in the White House has cut public radio and TV funds enough that two announcers have left and the station manager is leaving as of tomorrow, and the Met costs. So I may be depending on WFMT all year now. Either way, there’s a lot for me to be excited about in the new season. Anyway, I’m off to see Virgil now and will check in when I return.
Also referred by The Smile, from a local TV station on Chattanooga. No information on how her skull got fractured – unless her blindness and he running everywhere might be a factor.
This from the East Idaho News is late – it happened a few days before Thanksgiving – but good news (and referred by The Smile) is always welcome, right? I can’t skip the ad on the video but it’s not terribly long and I think it’s worth it.
Yesterday, the radio opera was “Iolanta” by Tchaikovsky. It’s in one act with four scenes, and is set in the 1400s, which if not exact, is probably close enough to the era in history when Islam had all the good scientists and all the good physicians (although probably not good enough to give vision to someone born blind – but hey, it’s an opera.) Like the opera “Ruslan and Ludmilla”, it’s popular in Russia and little known elsewhere, but the Met did do it for a Saturday matinee some years ago and later televised it, so I have seen it once. It’s very pretty and has a happy ending. The Muslim doctor, I think, has the best line and certainly the most relevant today: “Without inner desire, change cannot take place.” Wikipedia has a great article on it, including (not that I think anyone but me cares) the fact that the name in the Danish play from which the libretto was derived was “Iolanthe” – like the Gilbert and Sullivan operetta – and that both names are forms of “Yolanda” – which makes perfect sense but was news to me. It’s also very short for an opera – well under 2 hours – so I was able to have a little additional treat. My local station, which could not afford the second half od the summer season, decided that instead they would play a recording of a complete opera starting at the same time, so I was able to hear a substantial part of Handel’s “Rinaldo” after “Iolanta” finished. I’ve seen it once – almost certainly during the pandemic, when the Met allowed people to stream a different opera every day/night for free. When I turned it on, it was during a recitative scene, but very soon it went to an aria, and lucky for me, it was the aria which has been frequently performed in concert and recorded away from the opera (including by Celtic Woman), so I recognized it and was able to identify the opera quickly.
“Friday” in this from Democratic Underground was probably the 14th. I didn’t receive it in time for the 16th.
From The Guardian. I am putting this into Sunday’s post as good news because the judge did the right thing. However, I personally have mixed feelings. I was hoping this would backfire – that reducing the number of Republicans in some of the darkest red districts would actually make them competitive and increase our representation, not theirs. Now that will not happen – at least not in Texas.
This was from a local ABC affiliate in New Jersey, but I found it through The Smile. (off topic, but the part of the URL I cut off ended with “bfd.” Yeah, I would say so.)
Yesterday, I learned that Steve Schmidt has added an “ugly Christmas sweater” to his merch. I don’t think most “ugly Christmas sweaters” are all that ugly – but this one is – on purpose (and it’s not actually a sweater but a sweatshirt.) In its own way, though, it is humorous. You can see it here. Also, the radio opera was Wagner’s “Lohengrin”, also beautiful, also long, also from Bayreuth. Of the three from there, this was the only one whose starts were big names in the U.S. (I’m pretty sure that some of the stars in the other two were big names in Europe, but not well known here.) The tenor is from Poland and the soprano from South Africa (which I can forgive her as long as she doesn’t spout racist stuff, and she hasn’t so far.) I’m off to see Virgil now and will check in on return.
From The 19th. Like every human institution, the Catholic Church throughout history has often been wrong – and sometimes very wrong. So it’s good to see any representative of the church making amends for that – even small ones (I would call two acres small. On the other hand, it is all they had.)
The Smile referred me to this story, which is nothing if not touching. I’m afraid it’s video only (and I needed to unmute the sound, though that may be just me).
From Colorado Public Radio. I missed this on Tuesday and I don’t think it happened Wednesday. And I’m not sure it’s good news (what does it say about climate change? No one is addressing that.) But it certainly is pretty to look at.
This is certainly good news for those who love animals – especially those who would like to know what they are thinking. It’s from a site called “reasons to be cheerful.”
Yesterday, the radio opera was “Parsifal” by Wagner – a good four hours. “Parsifal” is the way Germans spell “Percival,” and the allusion to the Round Table is intentional, although no other character’s name follows through. The opera traces how Parsifal became the king of the knights who are charged with protecting the Holy Grail. I won’t go into detail. Wagner quotes the Dresden Amen in it more than once, but especially at the (happy) ending. Wagner’s ideas about Christianity were somewhat warped, but if they were as warped as MAGA, that does not come through in his operas. His ideas about sexuality were also somewhat warped, also (as far as we can tell) not as warped as MAGA. I won’t push that any farther either. The man could and did write beautiful music. To anyone – and I have heard it a lot – who thinks that music, especially classical music, is “ennobling,” I say “It certainly didn’t work for Wagner.” Not that his record can compete with the Mango Monster – but pretty much everything the Monster has done hundreds and thousands of times, Wagner did at least once.
I found this through The Smile on a day when most of their news was both political and pathetic. This is neither, and I applaud the educators who are facilitating this.
I knew some of this, because last month The Root had an article on several philanthropists, of whom she was one. The article doesn’t really answer the question the headline asks, but the answer is really “because she has a soul.” If she is not already on your list of secular saints, this might be the time to add her to it.
If you can’t see the video, I couldn’t either, until I turned my browser’s media player on. I’m sorry that I won’t be around to vote for this young man for President.
Crazy Soup Mr. Tangerine Man – not the world’s best singer, no CC, and it’s from last year’s election season, but hey. It’s amusing.
Yesterday, the radio opera was “Die Meistersinger von Nürnberg” by Wagner. It is his only comedy – and it’s a comedy not just because it’s a sweet love story with a happy ending. It’s also about musical pedants who fall apart if any composer does anything new – and there are many in every generation (there’s a book called “Lexicon of Musical Invective, originally published in the 1950s IIRC to record every awful thing that was said about great composers, starting with Mozart and Beethoven. It’s full of doozies – an has to keep getting reissued because the pedants just keep coming.) Historically, the meistersingers were not professional composers, but a guild of tradesmen and craftsmen who were dedicated hobbyist composers. Hans Sachs (an actual historical person) was a cobbler, for instance, and Beckmesser was the town clerk. Beckmesser is the quintessential pedant, and Wagner lets him have it every time he is on stage. I always feel for the singer who has to play that part. One has to be really smart yo play that stupid, and really self confident to withstand that much embarrassment. Hans Sachs, on the other hand, is the teacher that everyone wishes they had had in every subject. I have seen this opera once, on television, not in person, and James Morris sang Hans Sachs and really made the whole thing worth watching – all five hours. I recorded it on VCR – yeah, it was a while ago. Off to see Virgil; will of course check in.
From The Root. With the regime acting like a demolition crew and loving it, it can be easy to forget there are still plenty of good people in the world. Like Sabrina. And like I expect Riley will grow up to be.
OK, this from Democratic Underground is not good news. It is in fact not news at all. It’s just for fun.
Also from the Root, I’m calling this good news. It dates back a long time, but it was certainly news to both McCullough and Smith.
From a local TV station via The Smile, I never expected to find something like this in my own back yard. Although I probably should have. I too remember Nick Venetucci and his wife Bambi – if you weren’t inspired by them you needed your vitals checked. It should not be surprising that someone was inspired enough by him to go the distance for kids, particularly disabled kids, at Hallowe’en.
Yesterday, the radio opera was “The Pearl Fishers” by Bizet (who is more famous for “Carmen”). Carmen overshadows it, but it is performed occasionally. It contains an absolutely gorgeous duet for the tenor and the baritone which is frequently recorded and sung in concert, though. When the Met presented it on a Saturday with Matthew Polenzani (a tenor who is very popular and therefore had sung the duet a fair amount prior to playing the role) and the host asked him about the duet, he pointed out that until doing the full opera he had no idea that everything he was singing in it was a lie (and he is correct in that. But it’s still gorgeous.) The plot relies heavily on coincidence (not unusual in opera) and ends with massive destruction of property but no loss of life (both unusual in opera.) Not much of it rises to the standard of the duet, but it is still all very listenable. It’s also pretty short – barely two hours. I think I mentioned that my local station, which is public radio but not affiliated with NPR, couldn’t afford the second half of the summer broadcasts – especially after the federal funding loss – but what they decided to do was to play a recorded complete opera every week until the Met starts again. The announcer who owns a huge collection of recordings is not as old as I am, but is old enough that they may, like mine, all be on vinyl. Because The Pearl Fishers is short, when it was over and I went back to local, the opera he picked for today was still going – and I didn’t recognize it. Heck, I didn’t even recognize the language at first. My first guess was Russian, but I couldn’t exclude Czech – enough popular operas were written by Czech composers that it’s not all that unlikely. But as I heard more, I realized it was German and almost certainly Wagner; I thought I recognized the sword motif from the Ring Cycle. But when did a tenor have such a long monologue, followed by input from a bass and maybe a mezzo soprano? Maybe Lohengrin? And then I heard the tenor address the soprano as “Elsa.” Yup. It was Lohengrin. Sorry/not sorry about the “stream of consciousness” there. It seemed like a good opportunity to demonstrate that not only do I not know everything, I don’t even know as much as I think I know. The WFMT will be broadcasting Lohengrin from Bayreuth in three weeks, so I’ll get my chance to hear the whole thing (not for the first time either.)
I saved this from Democratic Underground for Sunday, so it’s not brand new. But it’s definitely good. I hope it catches on elsewhere.
This from The 19th is about a good response to a very bad situation. I’m sorry about the situation – but glad that at least something is being done.
This is from Wonkette Thursday, which I thought close enough to Sunday to hold. Even my Mom bought into the theory that if you tax rich people “too much” they’ll just move away. I guess this tax isn’t “too much” – whatever that means. (My feeling about that theory was always “Good riddance” anyway.)
Yes, four links. But can we ever have too much good news? This is from Wolves and Sheep and was written by Chris Bowers. It is neither complete not graven in stone, but as far as it goes, it looks good.
Yesterday, the radio opera was “Louise” by by Gustave Charpentier. He didn’t call it an opera, but rather a “musical novel,” the “verismo” school was getting started at that time, and composers and librettists wanted to flag their work as different. I had heard of it for many years, but never actually heard it before. Placido Domingo recorded it in 1976 and Beverly Sills in 1977 and I missed both. Not a lot actually happens in it – just parents who want to prevent their daughter marrying the man who loves her (and she him) so they can keep her at home. But the music is pretty. Off to see Virgil now and will check in when I get home.
I’m always particularly happy to see a good news story which involves a veteran – there are so many of us who are living through various kinds of bad news. This guy is even a Texan.
This is sweet – such a small thing – wearing costumes to work – can provide so much joy to so many children. (This was actually a week ago Thursday.)
Matthew was in very critical condition and was not 100% expected to get out of the hospital alive – let alone this fast.
Yesterday, the radio opera was Handel’s “Giulio Cesare in Egitto” – which requires three countertenors, which the Salzburg Festival was able to find. I won’t go into what other productions, prior to the resurgence of countertenors (which, IIRC, started in the 1940 with Alfred Deller, but did not really start to take hold in opera until the 1970s) used to do. I will address the question of why is a German writing an Italian opera for an audience which was mostly English-speaking with a few native German speakers – it was because Italian operas (and oratorios) were all the rage. It wasn’t until John Gay and John Rich presented “The Beggar’s Opera” which was an absolute smash hit that musical entertainment in England began to thrive. (“The Beggar’s Opera” survives to this day as “The ThreePenny Opera,” thanks to Brecht and Weill. At the time – when “gay” still meant happy, it was sait that it had made Gay rich and Rich gay. But I digress.) In relation to historical accuracy, the opera is mixed. But the music is pure Handel (I assume everyone has heard “Messiah”) – not that everyone liked him – many preferred his rival Giovanni Bononcini. This led to a wit of the day coming up with the verse “Some say compared to Bononcini/ that Mynheer Handel’s but a ninny./Others aver that he to Handel/is scarcely fit to hold a candle./Strange all this difference should be/Twixt Tweedledum and Tweedledee.” And, yes, that’s where Lewis Carroll got the names. Pretty much all art is related, often in unpredictable ways.
Although I have never been a member of a labor union (paper pushers tend to have salaried jobs, which are much harder to unionize for multiple reasons), I have always supported unions. After all, what was the American Revolution if it wasn’t a form of union organizing? And the whole “independent contractor” concept was designed to make it between difficult and impossible to organize. This is a real step forward, even if it’s only one state. For now.
This choked me up a little. (Cats can also be extremely calming and lower blood pressure. But their affection is never instant – it needs to be earned – they can be excellent therapy for one person, or even one family, but usually not for just anyone.) This literally is saving lives.
If I haven’t lost count, this is one of 34 elections this year in which a Democrat flipped a seat. This one was a mayoral seat. Most of the seats have been in state legislatures. But don’t underestimate those victories. Victories like these are how people get to Congress. And it looks like there are 17 more such elections to come (which of course have not been won yet, but which could be won.)
The cartoon today is a gif called Magic Potion Kitten. I probably should save it until closer to Hallowe’en, but it charmed me too much (pun intended.)
