Sep 282025
 

Yesterday, the radio opera was Verdi’s “Rigoletto.” I had to use that laptop again, and I suppose I might have skipped it – it’s not as if I’d never heard it – it was one of the first operas I ever owned on vinyl. But it is also the opera which got me my “A” in Advanced Conducting. I’m actually a terrible conductor. But there’s one scena in Rigoletto that I knew I stood a good chance of putting across, and put it across I did – mostly with my face – not even controlling it – the music and situation just gave me the expressions. Also, the part of Rigoletto yesterday was sung by Quinn Kelsey, who recently got such an outstanding review in this role, and even specifically in that scena, that I wanted to hear whether he deserved it. Did he? Oh, yeah. I have never heard a baritone put as much feeling into “Io vo’ mia figlia…” as he did. And I have heard some great baritones sing it. The most famous excerpt from Rigoletto, of course, is the aria “La donna e mobile,” which is pure projection, and, although the word in that sense did not exist in 1851, I’m confident Verdi knew it (the plot of the opera itself belies the aria’s words.) But it’s also catchy, and he knew that too – so catchy that he hid it from everyone including the tenor until the day of the premier, and essentially locked the cast and orchestra up until the show opened. Opera was then so popular that by the time one opened, the town in which it was opening knew every note. But not this time. This time the audience was surprised, and completely won over. And, as projectionist as it is, it’s not really a bad thing it’s so popular and well known – it gives the ending even more punch. Today’s cartoon is a gif file that was used by Wonkette, and you will see why the late Queen Elizabeth liked to be surrounded by corgis – they were her secret service.  🤣

Fat Bear week – Sorry that this is too late to vote for – not that I could tell you how anyway – but the winner won’t be announced until Tuesday, so there’s that.

I love stories like this one from Good News Network. You’ve heard of win-win, but this is more like win-win-win-win. The animals are benefited, as well as the inmates. But so is the prison staff, because inmates in these programs are easier to work with. And so is the entire community, because the recidivism rate goes down. Kudos to Ohio.

This is not news at all – it is Borowitz. But I think TomCat would have loved it. So here it is.

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Sep 212025
 

Yesterday, I was able to hear the radio opera from my laptop. Even set up to the max, the volume was low, and I hope I won’t need to do it again. Faure was one of the Impressionists like Debussy and Ravel, but is much less known. His best known work is probably the Dolly Suite, written for a little girl nicknamed Dolly. This opera, Pénélope, based on the last part of Homer’s Odyssey (when Odysseus finally gets home), doesn’t sound much like the Dolly suite, but it is attractive. Why it’s not performed more than it is is mostly bad luck. It wasn’t a huge hit in the provinces, but when it made its Paris premier, it was well received by the audience and the critics. But within two months another premier at the same theater stole all the oxygen from everything else – it was a little ballet called “Le sacre du printemps,” or in English, “The Rite of Spring.” It actually caused riots, in which people were physically hurt. And it’s not pretty – but it is a masterpiece. But I digress. It has been so long since I read the Odyssey I had almost forgotten about the lack of trust which was normal back when there were no certain ways to establish one’s identity. Odysseus arrives in disguise, and when recognized, orders the person not to reveal him – because all the dudes waiting around for up to 20 years to try to marry his wife would have killed him (instead, he kills them.) When he does reveal his identity to Penelope, she tests him with a fib about having replaced the bed in the master bedroom (not really possible, because the bed was a four-poster and one of the posts was a living tree, and the room was built around it and the bed), and of course he freaks because he knows that, which establishes he really is Odysseus. Off to see Virgil now – will check in.

You are welcome to argue with me about whether this from The Root is good news – since it’s mostly not new, but history. But I maintain the news part is that someone whose name should have been in people’s mouths along with the names of Rosa Parks, John Lewis, and many others is finally getting recognition – at least from the black community, and it should be from us also. It’s not exactly anyone’s fault it’s coming late. Photographers speak with the images they create, not with their mouths, and images are not physically attached to them, so its too easy to forget the people behind those images.

This was apparently a federal charge; I assume that because it was tried in a federal court house and at the Times there is an implication that the prosecution was by a U.S. Attorney. But it’s good news at any level.

There is a lot of good news in this from Wonkette, and it’s from Thursday, so you may have seen some of it. But probably not all of it.

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Sep 142025
 

Yesterday, the radio opera (although for the rest of the season, starting yesterday, I’ll be listening on line. Not surprising. Broadcasting these costs local stations money which they now do not have) was another double bill – this one more conventional than the previous one this season – it’s so standard that Opera lovers often just call it “Cav and Pag.” The “Cav” is Cavalleria Rusticana, and the “Pag” is I Pagliacci. Both are from the “verismo” school, which means they are about ordinary people, no nobility or divinity allowed. And they are generally fairly violent. In Cav the violence occurs off stage, but in Pag it is right on stage – and the killer gets the last word – “The comedy is over.” Both include some absolutely gorgeous music, such as “Vesti la giubba” from Pag, which at least used to be very well known way beyond the circle of opera lovers. I don’t know whether it still is..

“Martini Glambassador” is a fan, not an employee of Wonkette. But every day, seven days a week, she provides a .gif file for its “TABS” newsletter. Sometimes they are cute and funny – sometimes just funny – sometimes just cute. I took a screenshot from this one because I wasted to say, “Just look at that tail!” Snow leopards’ tails are distinctively thick, particularly when compared to the tails of other felines. They are also long, but you can’t really see that anywhere in the .gif. The snow leopard who showed off for me in the Pueblo Zoo made a point of showing me the length of his/her tail as well as its girth.

I’m not trying to push Wonkette – I do realize its style is not for everyone – but this certainly appeared to fit into the category of good news. And, yes, I am envious. I don’t have a clue how hard it is for a sentence to hold up in Brazil – but st least they have arrived at one, which is certainly more than we can say.

Of all states which sometimes show up in the news cycle for leading the way – let’s just say New Mexico appears less often than some others. But today, here it is – and a really important way to be leading. I expect this will radically improve the economy of the state. If it spills over into neighboring states, I hope we are one.

This story is courtesy of our Mitch. And I received it just in time for today. Many thanks, Mitch

John D. Cundle is a Canadian doing his best to help us.

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Sep 072025
 

Yesterday, the radio opera was a double bill: “Dido and Aeneas” by Henry Purcell and “The Seven Deadly Sins” by Kurt Weill. The performance was from Copenhagen. The two don’t have much in common, but perhaps that was the intention. Purcell lived from 1659-1695, during the baroque period. Kurt Weill lived from 1900 to 1950. We all know Weill from “Mack the Knife,” of course – but (at least in my generation) know “September Song” equally well but don’t know that it was also from a Broadway show – “Knickerbocker Holiday.” His “The Seven Deadly Sins” was called a “ballet chanté” rather than an opera because the man who commissioned it was married to a dancer who bore a strong resemblance to Weill’s wife, singer Lotte Lenya, and it was written for them, so the central character, Anna, is written as a split personality. I have heard of it, and read about it, but never actually heard it until yesterday. It is satirical – I would not take moral advice from it. For just one example, the last sin addressed is greed – and the conclusion is that Greed is good – just like Gordon Gecko. Danielle de Niese, who doesn’t just sing opera, but also on Broadway, in films, and on television – though much of that is not in the U.S. – but y’all might have heard of her – sang both personalities as well as Dido in this broadcast. The most famous aria from “Dido and Aeneas” is one of those “Don’t Cry for Me” pieces which irritate me in principle, because I don’t think you need to be Elizabeth Kübler Ross to be aware on some level that grief for someone’s death is really grief for our own loss of that person, not “for” the person who has died, so telling us not to grieve is really telling us not to heal. Not that I would expect the character of Dido, who, if she lived, did so in the 12th or 13th century BCE – and the aria is well known because it is beautiful. Off to see Virgil – will check in upon return.

NBCU Academy is clearly associated with the National Broadcasting Company, since the peacock is in their logo. And it appears to be working to ensure that aspiring journalists can get excellent education for that career. Given that (for just one example) Alan Dershowitz was educated at (and later even taught at) Yale Law school, their participants are not going to be 100% ethical. But it’s still a good thing, and far better than nothing. And this story from their project really is good news.

And this story from The 19th is really just amazing – and, in Louisiana, you know they did not get a lot of encouragement or assistance from the state, so they were working with virtually nothing but themselves.

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Aug 312025
 

Yesterday, I hadn’t slept well, and got up with a (fortunately mild) headache. But I managed to hear the radio opera anyway. It was “Der Rosenkavalier” by Richard Strauss. It’s technically a comedy, and it does have some humor, but the basis for the category is really just that there’s a more or less happy ending. The plot is complicated AF, and the premise of the tradition of the “Knight of the Rose” is something Strauss and/or his librettist made up. I first heard (and saw) it on TV when I was pretty new at USAA, and I vaguely remember dreaming afterwards I answered a call from the general’s wife (“Marschallin” in German) to add her as a driver on his auto policy. The Opera is late Strauss, and considered his masterpiece, so there is little if any deliberate dissonance, as there was (appropriately) in Salome or Elektra, and the waltzes in particular are gorgeous (anachronistic, but gorgeous.). Not much like those of the Johan Strauss family (no relation to Richard) but equally lovely in different ways. Also, I found and listened to a conversation between Heather Cox Richardson and Sherrod Brown – just under 30 minutes.

This was shared by Daily Dose of Democracy. There isn’t a paywall, but there is an ad blocker wall. My browser will allow me to turn off the ad blocker for just one site (and I can always turn it on again when I leave.) I thought the story well worth it.

This is from Wednesday, and it’s not as if you don’t know what happened. But the analysis about how rare it is is delightful so I saved it for Sunday.

The 6 Cheetah cubs at the Metro Richmond (VA) Zoo are doing well and have been moved to the public portion of the compound so visitors can see them in person. (photos at link)

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Aug 242025
 

Yesterday, the radio opera was “Werther,” by Jules Massenet, based on the (epistolary) novel by Goethe (who wrote it at age 24, which, coincidentally, was the same age at which Bruce Springsteen wrote “Born to Run.” (Massenet was in his 40’s when he wrote the opera,, and it took him two years to complete it. Composing operas is a lot harder than it looks.) It occurred to me that entitled straight young men haven’ changed all that much in the last few hundred years – the biggest change would be in the last fifty years – now, instead of self harm, they take it out on the object of their “affections.” And, yes, that is an unfair generalization, and not all of them are violent at all. But they surely tend to be whiny. Werther’s whine, the aria “Pourquoi me réveiller?” is heartbreakingly beautiful. Although the words and the music are very different, it has a strong similarity in tone and feel to Lensky’s aria “Kuda, kuda vï udalilis” in Eugene Onegin (usually just called “Lensky’s aria” here), also sung by a tenor about to die. And darn it, now I am reminded of Jerry Hadley. I don’t know when he recorded a CD with conductor Paul Geminiani of Great American Songbook songs every one of which is similarly whiny to Werther’s and Lenski’s, but I do own it, and have played it once and am in no hurry to do so again because Jerry shot himself in 2007. I could wish that life had not imitated art in this case. Sorry to be sharing such a downer today. I’m off now to see Virgil, which should cheer me up, and I’ll of course check in upon return.

Those of us who are melanin-deficient could learn a thing or two from this. From the Root.

Speaking as a person who lives in a more or less chronic drought area, I found this impressive.

“Friends” – guess there are things AI is good for.

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Aug 172025
 

Yesterday, the radio opera was Wagner’s “Die Walküre”. Since the German article “Die” can be either feminine singular or all-gender plural, it may be confusing whether he meant just one or all nine, but I have it on good authority he meant just one, and that one is Brünnhilde. She is the kind of fighter we want all our elected Democrats to be – which just occurred to me. Wotan is only concerned with getting back the Ring, and even his own children (which she, Siegmund, and Sieglinde all are) are just pawns to him in getting that done. Brünnhilde, ordered to make sure Siegmund loses his duel with Hunding, is instead so impressed by his devotion to Sieglinde that she changes her mind and instead attempts to make sure he wins. She fails at that, but then determines to save Sieglinde and with her Siegmund’s just-conceived child, and at that she succeeds. Of course she is punished by Wotan, who turns her from a goddess into a mortal woman, but she has no regrets for doing what she believed to be the right thing. The morality, or lack of it, all through the Ring cycle is, to say the least, weird. But at least in Wagner’s mythical world, NO ONE – not even the gods – is above the LAW. In his pursuit of the Ring Wotan tries to take a step that is outside the law, Fricka reads him the riot act, and he MUST back down. I searched for synopses just to check my memory, and found that some are highly inaccurate – not so much in the action but in the motivations and back story (The one at The Met website is accurate). It certainly is thought provoking. Also yesterday, The Conversation’s newsletter included the quip “AI is CliffsNotes on crack.” I couldn’t agree more.

I would not normally call this good news, but I do think it’s a good (maybe great) response to ignorant racists and it did make me smile and even chuckle.

This is good news. There’s not a paywall if you allow ads. As an alumna, I was wondering when Stanford would get in on this. It does sound like “The Stanford Daily”‘s long reputation for sass is still deserved.

I have mixed feelings about this – as much pleasure as I have gotten from Zoos in my life, I also really think wild animals should be allowed to be wild. On the other hand, I don’t want any species to go extinct, and zoos, if they are well run, can help to prevent extinction. And then there’s the additional fact that babies are adorable.

In case anyone doesn’t recognize, or doesn’t remember “Maxwell’s Silver Hammer” …

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Aug 102025
 

Yesterday, the radio opera was Puccini’s “Turandot” from Covent Garden. I won’t go into the details, having discussed it before (more than once). I’ll just mention that Sondra Radvanovsky (who is American) has a thought new to me about exactly when in the opera Turandot’s shell cracks, which in her opinion happens to coincide with the exact point in the opera at which Puccini died composing it – the rest of the opera was constructed from his notes by Franco Alfano, with mixed reviews. Personally, if I didn’t already know Puccini hadn’t finished it, I wouldn’t be able to tell any difference.  Toscanini, who conducted the premier, did not agree. He felt so strongly that he stopped the premier at that point, turning to the audience and saying (probably in Italian) “At this point, the maestro laid down his pen.” Anyway, I’m off to see Virgil and will check in upon return

Not the most important news – but lovely to see Scotland doing Scotland and giving the Apricot Antichrist a ginormous middle finger.

Liza Donnelly is a good friend of Heather Cox Richardson. She is a professional cartoonist and gets published in The New Yorker. The experience she writes (and draws) about here has me green with envy. But, of course, to move in those circles one has to be in those circles – and I really don’t have the strength any more to do that.

I knew this, but I can’t tell you how happy I am to see it in print in a Colorado newspaper, even a small one. Because he will need name recognition to win the Democratic gubernatorial primary, let alone the general.

We don’t seem to hear as much about Make-A-Wish as we used to. But they are still around. And still doing good.

John D. Cundle is a Canadian (he may or may not be a US expat, but he is definitely a Canadian now) who is willing to help us keep our spirits up in any way he can. Like this.

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