Mar 032024
 

So sorry I’m late. I had it ready bot forgot to post. Yesterday, the radio opera was Verdi’s “Ernani,” an early work, in a historic broadcast from 1962. For at least the last three years, the Met has been setting aside one broadcast for a historic performance, and they ask listeners to vote for whhich of ten or a dozen they would like to hear. I didn’t vote for “Ernani,” but I’m not surprised it won, because Leontyne Price. And the three male stars are equally prestigious to anyone who was listening to opera in the sixties. However, I voted for “Der Freischutz,” simply because one never hears it these days. But “Ernani” is almost as rare, and probably more interesting. One of the roles, the baritone, represents someone who actually lived and made history, though whether he was ever in love with Wlvira, or even whether she existed is doubtful. But Charles, Holo Roman Emperor, the fifth of that name, did exist, and was elected to that post by an “Electoral College” – a standing one, comprising princes (heads of state) of the countries within the empire. Charles, and Ernani (the tenor, an outlaw, as much due to politics as to poverty), and da Silva (the bass, a Spanish nobleman, and Elvira’s guardian) are all three in love with Elvira, who loves only Ernani. The character who strikes me as different from other characters in this opera, and indeed from most characters in opera is da Silva, who seems to think he’s Rodney Dangerfield, but unlike Dangerfield he means it seriously. I see no signs of him actually being persecuted – he just doesn’t always get his way (and who does?) But that victim mentality – almost a complex – may at least partially explain why he is so malicious. A play by Victor Hugo was the inspiraton for the opera.
https://en.wikipedia.org/wiki/Prince-elector

Phillis Wheatley was America’s first black woman poet. This article picks her up at the auction at which she was sold upon arrival – which was pretty consequential – and goes from there, as does the book, with vatious little-known information. IMO she deserves to better known, and not just her name.

This is a segment from The Young Turks featuring a doctor discussing Trump**’s inability to produce the correct word for the context. No, it won’t convince any of his cultists. But what interested me was his use of the term “brain damage.” Virgil has brain damage with far less symptoms than Trump**) and he and I both know how he got it – he got it from a traumatic brain injury (TBI). TBIs are often closed head injuries, as Virgil’s was but not always, but in any case it’s unlikely that one would experience one and have no idea that something had happened. How else could one damage one’s brain? Drugs would be one. Some condition which involved anoxia could. Could some or all of these symptoms go back to his bout of CoViD-19, for which he was hospitalized? I’m no doctor, but I would say absolutely. There is increasing evidence that even mild CoViD-19 can cause damage to the brain.

The transcript of Hunter Biden’s testimony is 229 pages. This is shorter, and it’s a gift link.

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Mar 022024
 

I learned that another state – Illinois – is now onn the bandwagon of keeping Trump off the ballot. Good luck to all of us.

Heather Cox Richardson is reminded in our time of the times of the “Know Nothing” Party in the 1850s. And with good reason. The actual party name was “the Native American Party,” and later just “the American Party.”  Just as misidentified as today’s “Patriots.”

(I have multiple sources for all of this – Wikipedia is the main one but Performance Today deserves mention.) Today being the second day of Women’s History month, and on the heels of Black History month, it seems to me a good day to bring up Florence Beatrice Price, an American woman of color who was a composer in the 20th Century. She was told many times she was “not a good fit” by publishers – but the Chicago Symphony played her works and they were met with appreciation. Wanamaker’s there (the first retail department store in the U.S.) would hold annual composition contests for local composers, and she was a consistent winner, in one year winning first, second, and third place. But all her manuscripts were kept in the home she used as a summer residence, and when she died, it was abandoned. It was not until 2009 that someone interested in purchasing the home discovered them, and fortunately, was musical enough to know what they had. The works included four symphonies, two violin concertos, a piano concerto, other orchestral works, songs, choral works, chamber music, arangements of spirituals, and probably more piano solos than anything else. According to Performance Today, she is not the most performed female composer in America. And that happened in the 15 years between 2009 and now. I am so glad that I have lived to hear at least some of it. I am listening to one on the radio as I type – her Symphony #3. And it is beautiful.

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Feb 252024
 

Yesterday,as I said on Fridaay,  the radio opera wasn’t an opera – it was a Requiem Mass and a movement from a symphony.  But the orchestra was the Met Orchestra, and the Chorus was the Met Chorus, and the soloists – four for each pieces wereall Met Opera stars, and the conductor was the Met Opera Music Director.    And, as I listened to the Mozart Requiem, and Beethoven’s Ode to Joy from the Metropolitan opera, I realized it was the second anniversary of the (insert adjective here) Russian war on Ukraine. (At least for now, my adjective is “despicable.”)-  Well, the General Manager of the Opera is married to a Ukrainian-American, so it should surprise noone that the Metroplitan Opera does not forget Ukraine.

I realize this is a little late in the month. But I only just received it. And we do have a few days left

This has been on my mind. What is so different about it is that the murderers were children – not only the victim..

We already know – those of us who are alert to real news and intelligent enough to think about it – that the two partiea are not the same. So it’s no surprise that these contrasting arguments do not have the same legitimacy.

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Feb 182024
 

Yesterday, the radio opera was Verdi’s “Un Ballo in Maschera.” It’s loosely based on an actual assassination which happened in Sweden in 1792. As with “Rigoletto,” an opera about the assassination of a monarch put Verdi at odds with the censors. So early performances of it were set in America (Boston IIRC), prior to the Revolution, which is not as far fetched as I used to think – Sweden (under Gustav III) was the first country not directly involved in the fighting to diplomatically recognize the US. But I digress. The assassination really happened, but I will not vouch for all the hoo-hah surrounding it in the opera – the fortuneteller predicting that the first man who shakes the king’s hand will kill him, the king being in love with his prime minister’s (who is also his best friend) wife, she silently returning his love but wanting nothing more than to be freed of her obsession, the meeting in the graveyard at midnight, The Prime Minister showing up not knowing that the woman with the king is his own wife, the king’s orders to escort her without learning her name, the couple stopped by the potential assassins, the wife revealing her identity only so they won’t kill her husband, the husband refusing to believe she is faithful and switching sides to help the assassins – all that is just too fortuitous. And that’s not even mentioning the page boy (a “trouser role”) who would be adorable if the plot as a whole was not so weighed down with inevitability – and the final irony of the king’s last act being to write out orders of transfer for the Prime Minister so that the king and the wife will be at least physically removed from temptation.

Nameless, was it you who commented on a Biden ad about NATO that they should have included Reagan? Whether or not, I’m happy to report that VoteVets took care of that.

This from Talking Points Memo is a deep dive into Chesebro and his involvement. If it bores you, I’m sorry – it can be helpful sometimes to get details – easier to speculate how the jury (or the judge in a bench trial) will decide.

I think we can agree that this is good news. More like this, please.

 

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Feb 102024
 

Yesterday, I didn’t have to read up on the opera – in fact I may sleep theough it – because it’s not a full opera but a selection of love duets for Valentine’s Day. I am so much intp opera as a vehicle for storytelling and plot that I can’t get excited about selections. But if anyone is interested in a sampler, it bradcasts at 1:00 pm EST, 12 noon CST, 11:00 am Mountain, and 10:am Pacific. All of those are the same time. KCME.org will broadcast, as aell as WFMT.com in Chicago, WQXR.org in New York. I wasn’t able to confirm KUSC.org in Los Angeles (though as active as LA OPera is I’d be surprised if it doesn’t), but if you are listening on the internet, the sound isn’t any better from somewhere close than is is from the other side of the country.

I expect everyone’s heard of Trump**’s plan to alter the hiring criteria for Federal civil service so that he can fire anyone he doesn’t think is “loyal” enough and replace them with someone he thinks is. The Project on Government Oversight (POGO) takes a hard look at the implications of this here.

I know crap when I see it, and I presume y’all do also. But, sadly, Steve is still right.

This sounds glorious, but it’s not something I know enough about to address.

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Feb 062024
 

Yesterday was another quiet day, which is fine with me.

Harry T. Burleigh, born in 1866, was a black man with a desire to become a classical composer. With the encouragement and assistance from Frances McDowell, the mother of Edward McDowell (“To a Wild Rose” and much more), he was admitted to the New York Conservatory of Musicon work study as a janitor. While he swept the halls, he would sing Spirituals, and was heard by Antonín Dvořák (New World Symphony), who was enchanted, and requested Burleigh to sing for him as much as possible. (Contrary to myth, Dvořák did not use any actual spirituals in The New World Symphony, though he was good enough at working in the style to make people think he did, and a later Black American wrote words to the most recognizable theme therein and called it “Going Home.”) Burleigh graduated and had a career as a composer, writing both instrumental and vocal music. In particular he composed songs to poems by “Laurence Hope” (a pseudonym for a woman, – and not only was it next to impossible for a woman to get published then in her own right, but a lot of those poems were pretty hot stuff for the day) including a set called “5 Songs of Laurence Hope.” Jim Ginsburg, the son of Marty and Ruth (Bader) Ginsburg, and the founder of Cedille Records, is featuring a record of music by Black composers, called “Dreams of a New Day,” sung by Will Liverman (the baritone protagonist of choice of today’s Black opera composers) which includes Burleigh’s “5 Songs of Laurence Hope,” and the first of them is available on Spotify at this link. Call me a name-dropper, but I think those are some names worth dropping even when it’s not Black History Month.

This column is a rant, and an exceedingly righteous one at that, IMO. I could wish I’d said it first … but it’s better this way, since he has the larger following. Basically, he compares and contrasts encouraging news with the discouraging words in which the media presents it. Certainly we should never take winning for granted. But the media seems to want us to take losing for granted, and that is a bridge too far for us to be going over. I did get some encouragement myself from Hubbell’s counterarguments, and hope you also will.

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Feb 042024
 

Yesterday, the radio opera was “X: The Life and Times of Malcolm X” by Anthony Davis. Most of us probably remember Malcolm X, if not in great detail. The important parts of his life were not published at the tiem, and after his death mostly in books, which fewer people read than read newspapers or the equivalent. At that time there were some real journalists, and I can’t help wondering what they would have come up with for public consumption at the time if only black people had been considered to have any importance. I don’t expect we’ll ever know. There was, as Lona predicted, a choke-up moment – according to the opera Malcolm’s last words were “As-Salamu Alaikum” – peace be upon you – and then the gunfire. Those who were closest to him at the time don’t agree, but the variants they remember, although in English, are actually pretty close. Musically – well, I’ve said for years the man can write music, and I stand by that. I was reminded a little of Lin Manuel Miranda discussing how he determined in what style to write all the Hamilton characters’ music – partly by their ages. “X” covers several decades, and Davis nods to that specifically in the jazz styles. In a different way, it struck me that three operas I have heard which were writtin by black composers about black people have all included a boy soprano to play the protagonist as a child. I don’t recall any other opera depicting that, and I have to wonder why not.

Also yesterday, I saw Heather Cox Richardson’s “Letter from an American” from Friday, since it came, as always, late in the day. I got a feeling of deja vu, and quickly realized it was because it was the same information Beau provided in the video in February 3’s Open Thread – except that Heather’s letter was in National-Security-speak whereas Beau’s was in Beau-speak. Still, it was cool to revisit the same story in different words.

I subscribe to newsletters from both the Atlanta Black Star and The Root – not just for Black History Month, but all the time, because it helps keep me on track with the perspective. For some reason, every time I attempt to load a full article at The Root, the screen goes white after a short time (I know, I know, past time for an upgrade. But it will have to wait until I am ready.) It’s long enough for me to get inough detail to search for the story elsewhere, and this time it was long enough to tell me that MSN had reprinted the story – for which I was most grateful. It helps to clarify the difference between money and votes. Yes, they go together, sort of – but they are not each other, and the one is not necessarily a predictor of the other. And the one will not win elections. But the other one will. Jaime Harrison is a rising star in the Democratic Party, and I believe his opinions are worth a listen. And I deeply believe we need to show more love than we are currently showing to black Democrats. Especially now, going into an election which we cannot win without them.

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Jan 212024
 

Yesterday, as I expect everyone knows, the radio opera was “Dead Man Walking” by Jake Heggie. I said so much yesterday that there may not be much to add. I was a little surprised no one mentioned Joyce’s own prison eork. Siter Helen was quoted as having said, “No one gets me ike Joyce.” Now, I’m confident that much of that is because Joyce di Donaato is such a consummate artist, dedicated to her calling to the point even the ushers can see it (An usher in Santa Fe told me that, no matter how late the performance ends, she won’t sleep before getting on the phone with her voice coach to improve the next night’s.) But I still can’t thinking those prior esperences – well, let’s say don’t hurt. (And I can see why Joyce would not want them mentioned.)  She may have discused that with Sister Helen (they have become friends) but Sister Helen would never out her. I must say, as emotionally draining as just listening was, I would not trade it. And I would love to actually be able to see it (streaming would be acceptable.)

I’m not ready to pick up with the Erinyes – and may not ever be. Yes, from time to time there will continue to be articles which are both important and sharable in full. And which don’t need the aegis of the Erinyes.  And because there’s no Erinyes, and Nameless is in recovery from surgery, I don’t see the point of an email today.

https://joycevance.substack.com/p/if-congress-can-do-this
For now, I’d like to share this by Joyce Vance – I think she is on to something. Last November, a bipartisan pair of Senators introduced a bill to provide direct and indirect victims of one specific act of terrorism access to view the court proceedings connected with that act. Feel free to drop your jaw shen you see the numbers by which it passed. And it either gave Joyce the idea, or more likely, suggested something fairly obvious which she has been behind for some time – and that is that we need to provide that service to all victims of all federal offenses going through the courts. Read her argument and see what you think.

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