Yesterday, as I expect everyone knows, the radio opera was “Dead Man Walking” by Jake Heggie. I said so much yesterday that there may not be much to add. I was a little surprised no one mentioned Joyce’s own prison eork. Siter Helen was quoted as having said, “No one gets me ike Joyce.” Now, I’m confident that much of that is because Joyce di Donaato is such a consummate artist, dedicated to her calling to the point even the ushers can see it (An usher in Santa Fe told me that, no matter how late the performance ends, she won’t sleep before getting on the phone with her voice coach to improve the next night’s.) But I still can’t thinking those prior esperences – well, let’s say don’t hurt. (And I can see why Joyce would not want them mentioned.) She may have discused that with Sister Helen (they have become friends) but Sister Helen would never out her. I must say, as emotionally draining as just listening was, I would not trade it. And I would love to actually be able to see it (streaming would be acceptable.)
I’m not ready to pick up with the Erinyes – and may not ever be. Yes, from time to time there will continue to be articles which are both important and sharable in full. And which don’t need the aegis of the Erinyes. And because there’s no Erinyes, and Nameless is in recovery from surgery, I don’t see the point of an email today.
https://joycevance.substack.com/p/if-congress-can-do-this
For now, I’d like to share this by Joyce Vance – I think she is on to something. Last November, a bipartisan pair of Senators introduced a bill to provide direct and indirect victims of one specific act of terrorism access to view the court proceedings connected with that act. Feel free to drop your jaw shen you see the numbers by which it passed. And it either gave Joyce the idea, or more likely, suggested something fairly obvious which she has been behind for some time – and that is that we need to provide that service to all victims of all federal offenses going through the courts. Read her argument and see what you think.
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