
Yesterday, I was looking forward to today because the radio opers for today is by Mozart – Don Giovanni – and the title role will be plqyed and sung by Ryan Speedo Green. It won’t be the first time I have heard him in a leading role – he played the title role in Terence Blanchard’s opera “Champion ” (split with Eric Owens – Speedo was the young Emil and Owens the old and demented Emil, still coping with guilt.) But it will be the first time I have heard him in a leading role by Mozart, which may be scarier, because there have been so many fantastic singers who have assumed this role over 200 years that many will be comparing him to someone else (different someone else depending on the listener.) Speedo is the young man who didn’t even know opera existed until he was in juvenile correction as a teen and someone took several inmates to the opera and he was hooked. (I’m pretty sure there was a black lead in the production, because if there hadn’t, he likely would have figured it was not for him and his life would not have been turned around as it was – but I don’t remember who. It might have been Denyce Graves, but there are so many others also.) It’s a story that never fails to inspire me.
No comment. (Because I am speechless.)
History can be scarier than just about anything, particularly when it appears to be rhyming again. By now I expect everyone knows how upset I get by undeserved reputations attached to historical figures (and even fictional ones.) Why does it matter? Because truth always matters. Here’s Steve Schmidt having a case of “Truth matters.” (Heather Cox Richardson tells the same story in her April 8 letter, but doesn’t go in to the reputational inconsistencies as Schmidt does.)
Two articles – same subject – the Presidential Records Act. Take your choice of Joyce Vance or Harry Litman – or read both. IMO, it should be possible tp prosecute a president who destroys a document immediately, while he is still in office. Here’s my thinking: this is analogous to using a drug to rape someone. The victim does not even know she’s been screwed until it’s too late. In the case of a destroyed document, the victim – the nation – may not ever find out we;ve been screwed, but even if we do, it’s way too late.









