Frogs – Politics Plus

Yesterday, I received the link to Barry’s online obituary from Carrie. Barry and I must have been in the Marines at about the same time. Also yesterday, Nancy Pelosi announced her retirement from Congress – giving San Francisco plenty of time for candidates to show up – and there are several already. The 19th has the story, and I’m sure they are not alone.

This by Joyce Vance is as good a combination of summary and marching orders as I have seen.

Doktor Zoom from Wonkette makes an excellent point here. Maybe I’m weird, but instead of being the 80-year-old in the room who thinks they know what will worked because it always has, I’m the 80-year-old in the room saying, “We have never seen anything like this in my life and I don’t know how to cope with it. If we are going to rely on history, we need to go back to FDR’s first term election to see what worked, and even then, today’s not quite the same. We need also to listen to people who are new politics, including young ones.” Rational people have a strong tendency to believe that rational argument can educate people. It can do that for some, but not for enough to win elections (at least not in red areas.) We have to find ways to meet people where they are.

Wonkette was hot yesterday. I already bumped one from them to Saturday so as not to duplicate sourcing, but this was simply too funny (in a scary way) to wait.

Yesterday, the radio opera was Rossini’s “The Barber of Seville,” One of two operas based on Beaumarchais’s trilogy which caused somuch scandal inits day by dissing the aristocracy (They barely made it past the censors.) The other is Mozart’s “Figaro’s Wedding.” There have been numerous attempts at operas intended to get the third play, “La Mère coupable,” into the repertory. So far John Corigliano has come the closest, with his “The Ghosts of Versailles.” It has received a fair number of performances (including one in Los Angeles with Patti Lupone in the role which Marilyn Horne created), but it’s not really in the repertory yet. But I digress. The story in “Barber” is how Count Almaviva courted Rosina with help from Figaro and even more from Rosina, in spite of opposition from her guardian, who wanted to marry her himself – the last thing she wanted. The cast appears to be from all over, and unknown to me, but I never saw or heard a performance I didn’t enjoy. I will say there’s only one tenor who has ever given me chills at the end when the count, his character, threatens the guardian and his sidekick with the Italian 18th-19th century version of “Nice life you’ve got. Be too bad if anything happened to it,” and that was a fellow named Rockwell Blake who must have just leaned on his white privilege. It’s kind of a plot point, so it’s unfortunate more tenors can’t do it. Anyway, I’m off to see Virgil and will check in as usual upon return.

This is good news for a number of reasons, and probably different reasons for different people. For me, there’s the factor that Yosemite means so much to me.

Not exactly news, but definitely good. Even though it’s blue, I can’t always be proud of my state. I can about this.

Kermit the Frog‘s graduation address at the University of Maryland (ending with The Rainbow Connection” and the presentation to Kermit of a Citation from the Governor.) I did not set out to do an double-frog post, honest. (Off topic, but the best-known orange frog will kill you.)

We’ll never know for sure why Harvard picked this moment to back fown on this – but from where I sit, it looks as though being attacked by a corrupt administration has provided a sense of proportion previously masked by privilege.

Randy Trump Derangement (That’s Entertainment) I clipped the ad, but if you want the whole enchilada you can go to YouTube.