Yesterday, the radio opera was the second opera about Manon Lescaut. This one is called simply “Manon” and is by Jules Massenet. This is the version in which after des Grieux, her lover, has been kidnapped by his father and enters the seminary to become a priest (leaving Manon pretty much no choice except to hook up with the rich dude), she visits him in his church and you can guess what happens. The other two don’t spell that out. Also, in this version, she doesn’t even make it to Louisiana but dies en route to the ship which was to take her there. As I said last week, the stories are similar but not the same. About the music video today – John D. Cundle is a Canadian who has produced and posted quite a little library of upbeat videos, many aimed at us in a friendly way. This is just one. It’s not satirical, although he also does satire. I also watched one about corruption, in which he appeared as “Judge Clarence.” I don’t know how much more pointed one can get than that.
This is about the Superman movie I discussed recently. MAGA was all up in arms to boycott is as “woke,” and they may be doing so, considering their attitude toward non-humans, including people they consider to be non-human. I don’t see them responding in the way this article describes.
(Not paywalled, but you need to close a popup) This from the 19th is on Instagram. It is good news about a workaround.
Yesterday, the radio opera was “Manon Lescaut” by Daniel Auber – something which I did not even know existed. I knew about “Manon” by Jules Massenet, and “Manon Lescaut” by Giacomo Puccini – which are going to be the next two operas in the radio series. All are from the same opera house in Turin, Italy, which decided to present all three in one season for comparison. You may remember I said about “The Queen of Spades” that the opera, the operetta, and the te original novella are three very different stories. Well, that’s pretty much true of Manon as well, except it’s four different stories, all three operas being adapted from the same novel. The one plot point they all have in common is that they all end with Manon being deported to Louisiana and dying there from poverty. If this strikes you as somewhat too politically appropriate, the WFMY group may have had that in mind, but the Teatre Regio probably didnt, and all three operas were recorded last October – and therefore likely scheduled some time in 2022, or even earlier. The Auber version, with a libretto by Eugene Scribe cleaned up the heroine’s morals somewhat. The other two didn’t but differ in other ways. (If you have any energy to spare, you might want to look up Eugene Scribe some time. The list of playwrights he influenced all over the western world is striking. You may never have heard of him, but you have seen plays or movies by writers he influenced.) Daniel Auber’s father and grandfather both had royal appointments, but when he was about 10, the French Revolution started and he had to find something else to make a living. What had been his hobby became his profession. So, there’s politics all over this opera. It does have spoken dialogue – the plot was not lofty enough for the Paris Opera, so it premiered at the Opera Comique, and was the first opera there with a tragic ending, preceding Bizet’s “Carmen” and probably paving the way for it – although Bizet’s librettist did not clean up the heroine’s morals, so it was still a scandal when it came along. Anyway, next week Massenet, and the following week Puccini, same story only different. The one by Auber for this week has delightful music including “bel canto.” The other two are newer, but both are also very listenable (neither of them cleaned up Manon’s morals, because by that time, Carmen had come along.) Off to see Virgil now – will check in upon return as always.
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Also referred by The Smile but either paywalled or ad-blocker-walled. From archive it’s all there.