Feb 232025
 

Yesterday, The radio opera was Verdi’s last opera, “Falstaff,” written when he was about my age. (His second-to-last opera had been “Otello.” He really loved Shakespeare, and in his late 70s he was rich and famous enough to indulge that love.) Falstaff is based on “The Merry Wives of Windsor,” which is said to have been written because Queen Elizabeth I wanted to see “Sir John in Love,” an impossibility given his character – even “Sir John in heat” would be almost impossible so she had to settle for “Sir John attempting to seduce faithful wives in order to extort them foe money to pay his bills.” The opera follows the play as closely as possible, given that singing takes longer than speaking. The plot, the duplicate love letter which give away hos game, the laundry basket thrown into the Thames, the young couple disapproved of by the girl’s father, the suspicious husband hiring Falstaff to seduce his wife to find out how virtuous she is, the fairies in the forest – it’s all there. This presentation was selected by the Met’s principal conductor because it was conducted by Leonard Bernstein (so you know it’s older than a minute – in fact it was presented and recorded in 1964 and was Bernstein’s Met debut.) The music and the cast were stellar – many names I remember loving in the sixties and some beyond. The male half of the young couple was sung by Mariano Caruso – absolutely zero relation to Enrico – I looked that up, as I’ve been burned too many times thinking unrelated people were related (in my defense, so have announcers.) My email wasn’t bad, so I got through it all and even managed to post a letter the same day I received it. Now I’m off to see Virgil. I will of course check in.

https://apnews.com/article/president-jimmy-carter-2025-grammy-awards-0b8a1c1fa8c8887b945a2b893b7e59e5
This is not all that new, but given that all of our eyes have been on our Democracy, I though some might have missed it. Jimmy Carter – WOW. Everything he did, he did with excellence.

https://www.rmpbs.org/blogs/education/metaphorse-montrose-horse-therapy
I’ve posted about horse therapy before – but this is a new twist, and one that I for one would never have expected. And one which is at least as important as any other method of self-defense.

Patrick Fitzgerald filling in for Belle – at least he’s amusing.

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Feb 162025
 

Yesterday, the radio opera was “Ariadne auf Naxos” by Richard Strauss. It is one act with a prologue which is about as long as the Act. This performance was chosen by Lise Davidsen, a Norwegian soprano. I would imagine (demonstrating a lack of imagination) that a Norwegian soprano would be likely to model on someone like Swedish Birgit Nilsson or Norwegian Kirsten Flagstad, but Davidsen has more imagination than that, so her most admired model is the late Jessye Norman, who sang the role of Ariadne in this broadcast. There’s a black history fact, if you will. The opera itself is an atypical comedy, the premise being that a serious opera and a comedy act similar to Commedia dell’Arte are presented on the same stage at the same time, and the participants have to interact somehow improvising as they go, and that is what happens in the one act. In the prologue, the situation is set up, with the prima donna throwing a fit, the composer throwing another fit, and the comedy troupe being more accepting and trying to calm everyone else down. There aren’t any punchlines, the humor is all situational and subtle. And the music is beautiful. Richard Strauss got hos start with “Salome” and “Elektra,” both of which include two or more murders and neither of which can really be called beautiful – although exciting fits, and maybe even enthralling. But Ariadne is compositionally more like his final opera, “Der Rosenkavalier,” which really is beautiful, especially the waltzes, though Richard and the Johanns were completely unrelated.

My state Senate is taking action on censorship – book banning. At least this committee is. And our state house (the Assembly) is also blue. I hope it will pass. It looks like a good bill. It allows challenges, but limits who can legitimately make them and how frequently they can do so. And more.

Robert Reich recognizes six individuals and one group who are willing and able to say “No” to the Papaya Poopy-Pants. And he’s right, it takes courage. And they have it and they exercised it. And, to the gest of my knowledge all are still alive. But sadly, all are now out of a job. Still, all these actions are well worth applauding.

Bonus video to go with cartoon

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Feb 092025
 

Yesterday, the radio opera was Wagner’s “The Flying Dutchman”, which I’ve discussed before. It was the choice of Ryan Speedo Green, who picked it because of the performance of George London in the title role. London started singing professionally in 1945, debuted at the Met in 1951, retired in 1967, and died in 1985 after his third heart attack, so I mostly missed him. (I know a lot of earlier singers from my mother’s 78 rpm record collection and of course newer ones from my own listening and collecting. And that includes a couple of the other principals in today’s recording who worked longer and lived longer.) But Speedo was just the right age to hear his recordings while studying … and to enter a competition and get financial help from a foundation London founded, continued by his widow after he died. I’ve also discussed Speedo’s story, which I find incredibly inspiring, so I’ll shut up now. Off to see Virgil, will check in upon return.

Straight from the Root – a list (not inclusive) of companies which continue to support DEI – in fact, some are doubling down. Many are not useful to me, either because I don’t use what they sell, or because I have rejected them for some other reason, but that’s me. Also, they’re all huge. But you can always look up any company on the internet and see whether they have a DEI statement in their “about us” section.

Dennis Donovan at Democratic Underground shares a post from Norm Eisen (cofounder of “The Contrarian”) – it’s a few days old, but I haven’t seen it elsewhere (which may be just me – I had to skip a lot to get through all those emails.)

This is a 23 minute video (with not bad CC – a couple of clunkers easy to mentally correct) and I can’t – not that I would want to – make you watch it. But in addition to advice, it also has some hope. So I thought I’d add it to Sunday.

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Jan 262025
 

Yesterday, the radio opers was Verdi’s Aida, which may be the most performed opera which exists. Certainly it is at the Met, which means it’s had more performances than La Boheme or Carmen. This may be the first time in my life – I don’t remember any other – when I have heard the tenor sang his opening aria the way Verdi wanted it sung – the high note ending on a pianissimo floating away. From the time of Caruso (which is pretty close to the beginning of recorded sound), few tenors have been able to resist the temptation to hit it an hold it forte to show off the high note. The soprano, Angel Blue, reminded me of Leontyne Price in the role. The only other I’ve heard who was as good as those two in the role was Latonia Moore.  I believe there is exactly one race of humans and that is homo sapiens, so I don’t believe in radial memory.  But it is interesting that all three of those divas are African American

I think I have all good news today – Well, Belle’s may not be exactly good, but it is funny.

A few days old, but it is good news. Besides the speed of getting this into court, there’s a short preview of other court action to come. I’m also linking to Joyce Vance, who has some additional details on what actually happened in the courtroom.

This happened on Tuesday, but was published Wednesday. I just received the link yesterday from JL. As y’all know, I got a very late start yesterday – and had email left over from Friday -and had not found any other good news yet, so I’m using this. I do subscribe to Huff Post, but not to everything, just the “Fringe.”

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Jan 192025
 

Yesterday, Axios published the evaluation of the 10 US cities that “did the best” in 2024. Colorado Springs is on it at #5. We are in one of only two blue states on the list, and I believe the only red city in a blue state. Of course, in general, red areas have considerably more room to improve than blue ones. It doesn’t mean we’re one of the top ten places to live, speaking economically (though speaking scenically, we probably are.) Also, the radio opera was Puccini’s Tosca – a tragedy in the literary sense, but also politically. The eponymous heroine’s lover, whose life she tries and fails to save, his friend, and she herself are on the right side of the autocracy vs. democracy divide, and although she manages to kill one pre-fascist (who is a real piece of work – I can only think of a couple of others in opera who even come close to his pure evil), his flunkies only fail to catch ans torture her because she suicides first. Yes, I know, Napoleon was no liberator, but you can’t blame people of the time for thinking he was or might be. Even Beethoven thought that – until he didn’t. “Tosca” is a very tight story- everything moves the plot, even the one comic-relief character, so the more you know about it the more heart-wrenching every note is – and the harder it is to look away. (A side note – this is the opera which contains the aria over which Puccini won a copyright infringement lawsuit against the composer of the song “Avalon.” Of course I was not on the jury – I wasn’t born yet -but had I been, and just knowing the two pieces, I would have been inclined to vote the other way. Only one phrase that’s in the opera is in the pop song, it’s not used “verbatim”, and it is developed very differently.)

I expect everyone here knows this by now, since it came out on Friday. But Sundays are for good news – and right now it just doesn’t get any “gooder” than this. The Contrarian was where I first saw it.

This also came out Friday and started me wondering what else on our wish list would be announced today. Whatever would have been, I would have added. We need all the good news we can get just now.

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Jan 122025
 

Yesterday, the radio opera was “Rigoletto” by Giuseppe Verdi. It was the second opera I ever owned on vinyl. It’s also the opera from which a scene got me my A grade in conducting class. It’s notoriously dark, it had trouble with censorship (which was routine when everywhere was governed by an absolute monarch, and they were all terrified of looking bad, even just by proxy, so to speak), and the music is exquisite (and in places heartbreaking.) Noteworthy was the tenor, who is the very first opera singer born in Samoa, in his Met debut. Hearing him, I suspect his delay in singing at the Met may have been due to his being so in demand elsewhere that they just couldn’t get him. But all the principals were impressive. It’s an opera which draws tears, and then they piled on by picking this week for the annual review of people we lost last year. Somehow I missed the deaths of Seiji Ozawa and Lucine Amara (among others.) But it’s Sunday, so I’ll stop here and share an Andy Borowitz take on more current events. And, if anyone is interested, Robert Hubbell has transcribed Judge Merchan’s complete remarks from the sentencing Friday. Not that the Canteloupe Caligula will hear, understand, or care. But he was pretty clear in distinguishing between the public office and the person who holds it.

well, this is something new. I know we have at least a few readers who ar into astronomy, and that light pollution is a problem for anyone who wants to watch the stars, planets, galaxies, etc. I would also warn anyone over 50 that the San Luis Valley is mostly more than 7500 feet above sea level, and if you have any heart or respiratory issues, you should consult your medical team before planning a trip (and it isn’t open yet anyway.) Living at 6500 feet as I do, it would almost certainly not bother me. But it isn’t, sadly, possible to make lenses which would allow me to aee what everyone else sees when they look at the sky, so it would be wasted on me. Still, I’m all for it. And Mosca is a good location. Roughly 15 miles north of Alamosa – a college (excuse me, now a university) town – close enough to get to easily and far enough to provide a good dark sky.  And now I’m off to see Virgil, and will check in when I get home.

It’s telling that the only good news I noticed this week was from Colorado Public Radio (at least this week, CPR is cpr for the soul). And I’m well aware that people close to my age (and many of us are), old enough to remember “One Flew Over the Cuckoo’s Nest, are going to be very skeptical. I was. But this treatment appears to be working very well for this young man, and the smile on his face in the accompanying photo is evidential. Especially compared to the second photo. I wish him and his family the best.

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Jan 052025
 

Yesterday, the radio opera was “Les Contes d’Hoffman” (the tales of Hoffman) by Jacques Offenbach, who is best known for having composed the “Cancan.” The Tales of Hoffman was his only serious opera, and it is not without comedy. The most obvious is, I think, the “Doll Song,” in which the soprano plays a mechanical, life sized doll with whom Hoffman has fallen in love. During this aria, the soprano “runs down” twice and the toymaker has to run up behind her and “wind her up.” Literally. Back in the day, I was driving on the Washington DC beltway, and this aria came on the radio, sung by Joan Sutherland. Even without the sight gags, she made it so funny that I had to pull off – I was so distracted with laughter – until it was over. The doll is one of three women with whom Hoffman falls in love and loses – this one because she isn’t real, the second because she dies, and the third because she has stolen his soul – well, that’s pretty un-comic. There is also an “evil genius” who in some way comes between Hoffman and all of the women he falls for. It is filled with catchy tunes, a specialty of Offenbach. If you have ever heard his “barcarolle,” which is a real earworm, this is the opera from which it comes. Also yesterday, I received several emails about Ann Telnaes leaving the Washington Post. I’ll link to Andy Borowitz on this, although Heather Cox Richardson also covered the story. We can hope hat she finds a position worthy of her talent and integrity.

In keeping with my intent to reserve the Sunday Open Thread for good news, here is a story from Colorado Public Radio, about a remarkable man, and the tribute to him which is now being paid.

This from Axios is at best halfway good news. I was hoping something better would come along, but sadly, if it has, I haven’t seen it (and I have been looking.)

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Dec 292024
 

Yesterday, the radio opera was “Hansel and Gretel” by (the original) Englebert Humperdinck. It was a performance from 1982 (Christmas Day, actually) which featured Judith Blegen as Gretel. I mention her because she is an unusual talent – she could as easily had a career as a violin virtuoso as she had as a operatic soprano, and I know that because I took lessons from one of her former violin teachers. You won’t find his name in Wikipedia, because only some of her teachers of voice and violin are named there. Gian Carlo Menotti denied that he had written his opera “Help, Help, the Globolinks” with her in mind – but he certainly had no difficulty with her playing Emily in the American debut, which requires the lead soprano to also play the violin. Hansel was played by Frederica von Stade, whom I mention because of her sense of humor. One of her voice coaches was a cat person, and at their first lesson, the coach’s cat threw up on her shoe. All she said was, “I hope it wasn’t my singing.” That’s not to belittle the rest of the cast, who were also excellent – just personal memories of mine.  Off to see Virgil now – will check in when I get home.

From Wonkette, a piece of good news that everyone else appears to have missed. I thought it belonged on Sunday. I doubt we’ll get many more for some years.

And one more piece of good news, also from Wonkette. No spoiler.

Okay, this, from Steve Schmidt is now VERY late (yet still far more recent than the history it discusses.) Steve Schmidt may not know as much history as Heather Cox Richardson does. But he does have a flair for knowing about moments of history which invoke strong feelings – and for telling them so that you almost feel you are there. The Christmas he tells of here was also in a dark night for America. That we came through it may give us some hope. But you may still need a hanky.

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