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Seven Days in May
The persistence of the threat isn’t a cause for despair; it’s a call to action. Democracy has always been fragile, and threats to freedom are not new. The 1964 film Seven Days in May offers an instructive reminder of that. This black and white thriller was always a favorite of mine for its artful portrayal of the republic’s vulnerability and the need for vigilance. The film has never felt more relevant than it does now.
In the film, the chairman of the Joint Chiefs of Staff, General James Mattoon Scott, plots with other Pentagon leaders and at least one member of Congress to overthrow the government. The film opens with a protest outside the White House, where the treacherous general’s followers converge with followers of the president. Violence erupts.
Later, when General Scott delivers an inappropriately political speech at Madison Square Garden, it becomes clear that he has been priming the public for a change in leadership. His plot is conceived with military precision, and it fails only due to the intervention of a faithful marine, played by Kirk Douglas, who lives up to the Marine Corps’ motto: Semper Fidelis.
This depiction of democracy narrowly escaping destruction served as a warning about how those with authoritarian ambitions can misuse the government’s own machinery against itself. The fictional General Scott is said to be based partly on two real-life figures. One was the notorious General Edwin Walker, who resigned after being stripped of his command for extremist political activities and was later charged with insurrection for participating in a deadly riot to block Mississippi University’s integration. The other was General Curtis LeMay, who objected bitterly to President John F. Kennedy’s refusal to invade Cuba.
President Kennedy received an advance copy of the book on which the film was based and found it believable. The military’s top brass had earned his distrust by advocating for the tactical use of nuclear weapons and proposing terrorist attacks in Florida to generate support for invading Cuba. Kennedy urged Hollywood to make the book into a movie as a warning about the republic’s fragility.
The particulars of the film’s storyline differ from the events of January 6, but the particulars don’t matter; this is the story of a threat from within the government. In both cases, an attack incited by a demagogue follows a protest outside the White House. The film ends when the plot is foiled. We’re past that point with our insurrection, but Seven Days in May can still serve as a warning about what happens next. In the film, most (not all) of the conspirators are forced out of government, but political circumstances save them from more serious accountability for their treachery. In the absence of accountability, the viewer can’t escape feeling that the republic remains vulnerable. It could happen again.
The same is true now. President Trump and some of his allies are out of government, but they haven’t faced further accountability. Trump’s chief of staff, Mark Meadows, joined him in pressuring DOJ officials and Georgia state election officials to help overturn the election results. Trump used his public platform to incite the attack. His Pentagon appointees did not come to the aid of the hopelessly outnumbered police for hours. Trump and his supporters continue to lie about voter fraud and sow doubts about our election systems. It could happen again.
In the year since the attack on the Capitol, the danger to the republic has only grown. The movement has shifted tactics, focusing now on voter suppression and keeping its adherents primed for future action with lies about voter fraud. We should be pressing our leaders to hold those responsible for the insurrection accountable. We should be pressing them to pass voting rights legislation. We should be active participants in the work of democracy. We must be. The fate of the republic depends on it. |