Yesterday, the radio opera was Wagner’s “Tristan und Isolde,” recorded in July at Bayreuth – the venue which mad King Ludwig of Bavaria spent a fortune on, and which has all the bells and whistles which were available in the late 19th century (Wagner would hav loved CGI.) It takes 4 hours to perform. This production is fortunate that the adulterous love affair depends on a powerful magic love potion, because the betrayed husband is orders of magnitude better looking then the betrayer. It’s just as well I won’t see it (and the only available picture is of part of a program cover which says “Bayteuth” and has Wagner’s autograph.) The music is gorgeous. This is one of only two Wagner operas I bought in vinyl when I was buying vinyl. Some musicologists say that the first chird of the overture (known as “the Tristan chord”) paved the way for the harmonies of 20th century composers. But to opera fans, it’s less the chord and more what Wagner does with it which make the opera a favorite.<\/p>\n
It’s been a minute since we had a real head-shaking Karen story, but this one from the Atlanta Black Star definitely qualifies. SMH.<\/p>\n
If you have seen any ads for “Trump watches” – and, if you have, I know you haven’t bothered to read the fine print – you might get a sardonic chuckle out of the facts Mary Trump<\/a> brings to light in her Substack column.<\/p>\n