Yesterday, the radio opera was Gluck’s “Orfeo ed Euridice.” Composed in 1762, it was part of his “reform” project to simplify both operatic plots and operatic music. Allow me to suggest that the story is of universal appeal by pointing out that the most famous aria in it, “Che faro senza Euridice,” has the same content as irving Berlin’s “What’ll I Do,” both being in language appropriate to their time periods (for example, Orpheus didn’t have access to photographs.) I sang the aria (badly) when I was taking voice lessons – it’s in the mezzo-soprano range, but sung yesterday by a counter tenor – Anthony Roth Constanzo – of whom I’m a fan.\u00a0 As I guess is the Philadelphia Opera – they just named him their General Director) This is the last opera in the Met season, so next week I’ll be streaming a summer season opera broadcast from Chicago (performed and recorded in Vienna).<\/p>\n
For pride month. I guess I don’t need to go over again how so-called Christians who think being anti-gay is Christian annoy me (not a strong enough word but I’m trying to be civil.) The image below is also from this article<\/a>.<\/p>\n